Take a look at how heritage craft and furniture complemented by contemporary design has transformed this Wellington villa
Meet and greet
Catherine Baird (emergency department doctor), Duncan Baird (GP), Gemma 14, Eva, 8, and Greta, 4, plus Hector the deaf and blind rabbit.
This Wellington villa is the definition of old-meets-new
What’s the best lesson you’ve learned?
Duncan: A new house is a long-term thing so it’s good to take some time to collect ideas and materials. The results of bold decisions become less confronting as time goes on so don’t be afraid of flights of fancy.
What’s one thing you would change about your home if you could?
We might have considered having the main living area downstairs and all the bedrooms upstairs had we known how warm and light it would be downstairs.
What’s the most memorable experience you’ve had in your home (good or bad)?
Huddling under blankets in the cold, draughty lounge prior to the renovation makes a pleasant memory when you’re wearing a T-shirt in midwinter.
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Budget
How much did you spend?
We bought the house for $421K and spent well over $400K on the renovation.
Which areas did you save or splurge on?
We saved by retaining a lot of the original details and splurged on finishing materials like the kitchen ply and exterior cedar battens.
The exterior of the rear addition to the house is in complete contrast to the home’s traditional facade – clad in vertical cedar, the walls are broken up by tall windows fitted with louvres for ventilation.
Respecting the home’s historical charm while bringing it into the 21st century was one of the aims of the renovation.
The brief for Atelierworkshop was to retain the home’s existing footprint while maximising its outdoor areas. In response, the architects opted to excavate the basement and create a downstairs floor that was accessible from the street.
What was once a closed-in basement now houses two bedrooms and a lounge, all opening onto a terrace. Louvres ensure this level is ventilated and concrete floors retain the warmth of the sun.
The downstairs lounge has no ceiling and the result is a light-filled, double-height atrium which links the lower living area with its upstairs equivalent.
Bare lightbulbs are a great match with a colourful wall as they offer a hard, industrial contrast to the warmth and fun of red.
Using the guidance of Wellington architects Atelierworkshop, the couple brought the villa back to life – with a modern twist.
Catherine and Duncan made the bold choice to use red in their upstairs living area. Plywood cupboards bring the kitchen to life and mirror the dining room storage.
The now upper level features the home’s entrance and a central hallway that services the main bedroom, bathroom and a guest bedroom/office.
In the main bathroom upstairs, small, white tiles were used on both the walls and floors to avoid the space feeling too busy.
From the street, the Baird family home in Island Bay, Wellington, is a graceful villa typical of many colonial homes in the capital. But step inside and you’ll find a modern abode complete with concrete floors, a light-filled atrium and a sound-absorbing ceiling.
Words by: Catherine Steel.. Photography by: Russell Kleyn.
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