Photography: Florence Charvin
The process of sculpting a relief artwork is slow and thoughtful. Erica Toh lives for the calm as she crafts delectable scenes inspired by flora, fauna, and the environment around her. The Hawke’s Bay-based artist chats with us about her work and the intention behind every piece.
Tell us about your art journey so far.
My journey into art began during a personal struggle with post-partum anxiety and depression. I found solace in the simple act of creating with plaster, and what started as a quiet form of therapy gradually evolved into a focused and fulfilling practice as an artist in New Zealand. Today, my work finds its way into curated exhibitions, refined interiors, and private collections. Each piece I create is a tactile expression of intention, calm, and soul.
What drew you towards relief sculpture?
I love working with plaster. It’s versatile, grounding, and the process of shaping it by hand feels meditative to me. I was drawn to relief work because of its quiet strength – how light moves across the surface, how shadows bring the forms to life. It’s a subtle yet powerful way to express depth and feeling.
What do you like most about textured art?
Texture does something beautiful – it invites people to not just look, but to feel. In a world that moves so fast, textured art gives us a reason to slow down. It holds presence, and the way it shifts with light or mood makes it feel alive in its own quiet way.
What does the process of making a piece look like?
It always starts with a feeling – usually something sparked by nature, architecture, or a passing emotion. I sculpt straight onto the surface, slowly layering a custom plaster blend by hand. It’s a slow and thoughtful process. Every line and shape is considered, and the whole thing comes together with care and intention. I don’t rush anything.
Where do you get your inspiration from?
Nature is definitely my biggest muse – birds in flight, the curve of a branch, or even the silence in a still garden. I also draw from wabi-sabi, the idea of finding beauty in imperfection. As a mother, I’ve learned to embrace simplicity to stay grounded. That calm energy naturally flows into my work.
Are there any mediums you’d like to try?
Yes, I’m drawn to working with stucco as a way to elevate my craft and further define my identity as an artist. Stucco has a rich history, used by master artisans throughout time to create enduring architectural works that still speak to us today. It carries a timeless elegance and a connection to tradition that deeply resonates with me. This isn’t just about technique; it’s about dedication to my craft, my purpose, and the legacy I hope to leave behind. I want to be part of that history, to carve my name into the lineage of artists who created with soul and shaped with vision.
Are there any pieces you are most proud of?
My relief mural created for Nourished for Nil is one that means a lot to me. It was my way of giving back to the community — a gesture of gratitude and a symbol of my becoming. I’m also proud of my diptych, Pīwakawaka & Peonies. It brings together native birds, flora, and sculptural detail in a way that feels poetic and grounded. Last but not least, The Banquet is my celebration of the bounty of Aotearoa and a symbolic prayer for abundance and gratitude.
What exciting things do you have on the horizon for your art?
I have my upcoming solo exhibition at Creative Arts Napier, which is being held during Art Deco Festival Napier. This exhibition will feature a refined collection of sculptural reliefs – from baroque, rococo, and neoclassical inspirations to pieces gilded in 24K gold that echo the geometry and glamour of art deco. Each work is crafted in my signature style, rooted in timeless form and quiet elegance. The opening night is 20 February 2026. Behind the scenes, I’m continuing to build a cohesive body of work – quiet, thoughtful, and enduring. This is my way of honouring the past while carving a space for my voice in the world of timeless fine art.
Where can readers find you and your work?
I share a lot of the behind-the-scenes process, time-lapses, and studio life on Instagram @texturesbyerica. You can also find updates about my exhibitions and available work through selected galleries and on my website – texturesbyerica.com.
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